Papers in this volume were presented at rock art sessions of the 2001, 2002, and 2003 Society for American Archaeology meetings.

• Monumental Modified Speleothem Sculpture: New Patterns in a Class of Ancient Maya Cave Art, Cameron S. Griffith and Sarah M.P. Jack
• Dating Pictographs: Independent Dates and Their Implications For Rock Art, Karen L. Steelman and Marvin W. Rowe
• The Angelim Style and Northeast Brazilian Rock Art, Reinaldo Morales, Jr.
• A Stylistic Chronology of Maori Rock Art in the South Island of New Zealand, Andrew Blanshard
• A Study of Gestures in Anthropomorphic Figures in Rock Paintings of Cape York Penninsula, Australia, Carol Patterson
• Snames and Science, Michael Barry and John Clegg
• Spatially Analysing Rock Art Sites within a GIS: A Preliminary Report, Melissa Johnson
• Limitations of Shamanistic Interpretive Models for Southern Africa and Upper Paleolithic Rock Art, Julien Riel-Salvatore
• Conservation Efforts on the Engravings of the Côa Valley Archaeological Park, Portugal, Jennifer K. K. Huang
• Anthropomorphizing the Landscape: The Pecos River Style Core Motifs, James B. Harrison, III
• A Study of Design Element Patterns Associated with Petroglyph Faces Bisected by Rock Angles at Archaeological Site LA9064, Kenneth Y. "Woody" Duncan
• Learning From Images in Context: Theory Building for Rock Art in Archaeology, Nancy H. Olsen
• Rock Art and Landscape in the Piñon Canyon Maneuver Site, Southeast Colorado, Amanda R. Wintcher
• Location, Location, Location: Rock Art Sites as Sacred Geography, Carolynne L. Merrell
• Content-Context Relationships in the Rock Art of Chavez Pass, North-central Arizona, Jennifer K. K. Huang
• "Moving Mountains" to Provide Access to Rock Art: Multi-media Interpretation of the Hedgepeth Hills Petroglyph Site, Lorelei Sells
• Footprints of the Hisatsinom: Hopi Interpretations of Ancient Images in the San Pedro Valley of Southern Arizona, Chip Colwell-Chanthaphonh