Rock Art Papers, Volume 14

Rock Art Papers, Volume 14, Ken Hedges, editor
1999, San Diego Museum Papers No.36, paper
156 pages, 106 b/w photos, 75 figures, 5 maps, 4 tables, 8-1/2" x 11"
$20.00

Titles in this volume include papers from the Rock Art '96, '97 and '98 meetings.

Stylistic Transition in Grand Canyon Rock Art: Some Hypotheses Regarding the Grand Canyon Polychrome Style, Jerry Dickey and Don D. Christensen
Dark Zone and Twilight Zone Pictographs in U-Bar Cave, Southwestern New Mexico, John Greer and Mavis Greer
Pigeon Scratchings: Historic Native American Rock Art in the Sylvania Mountains, Nevada, David W. Valentine
E=MC²: Implications of Power in Yuha Desert Geoglyphs, Jay C. von Werlhof
The Power Rock, Bruce Boycks
A Suspected Sunwatching Station in Cahuilla Territory of Southern California, David C. Brown, Jr.
A Preliminary Evaluation of the Rock Art of the Granite Mountains, East Mojave Desert, California, Don D. Christensen, Jerry Dickey, and David Lee
Watching for Sunwatchers, John Fountain
Rock Art and the Origin of Theatre, Jon Nygaard
A "Family Portrait" from Chadyr, Siberia, D.V. Cheremissin
Style and Individual Identity in Rock Art Inventories, Don D. Christensen
In Pursuit of the Esoteric: Some Philosophical Issues Regarding Rock Art Research, Jerry Dickey
Rock Art of Southwestern Siberia, O. Winston (Bud) Hampton
Where Opposites Meet: Mountain Lion Symbols as Hierophany, Bernard M. Jones, Jr.
The "Calendar Woman," the Cult of the Goddess, and the Regulating Principle fo Fertility, Jon Nygaard
The Faces of Canyonlands, Robert J. Pisapia